Armed with state-of-the-art technologies, cinematographers around the world are increasingly empowered to capture and create top quality images for the big screens, high ranking TV series and independent content. On their production sets, it’s not surprising to find Angenieux cine lenses at work, handpicked by world’s top cinematographers to bring to life some of the globally applauded motion pictures we see today.
Purposely built for cinematic production, Angenieux cine lenses achieve excellence in design, mechanical and optical perfection. The French brand’s longstanding commitment to innovation highlights the growing capabilities of these lenses, making them a top-of-mind choice for quality production.
All Angenieux cine lenses offer a fast T-stop throughout the entire zoom range, large focus scale rotation angle that enables precise manual focusing and retain superb image quality even under extreme environmental conditions. The pristine optical performance and seamless blend between contrast and resolution create a distinct cinematic look unique to Angenieux lenses.
Here are some of the latest blockbusters that were shot on Angenieux lenses:
|Optimo 15-40, Optimo 28-76, Optimo 45-120
|The Two Popes
|Optimo 15-40, Optimo 24-290, Optimo 28-76, Optimo 45-120
|A Beautiful Day in The Neighborhood
|Terminator: Dark Fate
|Optimo A2S Lenses
|Spider-man: Far from Home
|X-men: Dark Phoenix
|Optimo DP Lenses
|Sympathy for The Devil
|Optimo 28-76, Optimo 45-120
|Optimo 19.5-94, Optimo Styles
|An Officer and A Spy
|Type EZ-2 FF/VistaVision, Optimo Ultra12x S35
|The Wild Goose Lake
|Optimo 24-290, Type EZ Series 22-60, Type EZ Series 45-135, Optimo Zooms
|Type EZ-1 22-60, Type EZ-1 45-135, Optimo 24-290, Optimo 28-340
|IP Man 4
|To Live To Sing
|Optimo style 30-80, Optimo 24-290
|Summer of Changsha
Please contact our Cinematic & Broadcasting Solution team for more details.